Otopeni customs yesterday. Took a bit over a month to finish, from concept to physical object.
Ended up doing it all in pencil since it enabled me to go through all the stages the images
required: from skeleton lines to deep shadows. The moodboard included influences from
De Stijl to Lucian Freud to Dominique Goblet.
functional, afraid of growing old and never going anywhere. Sui's disintegrating since her
husband left her. Anastase's existence is a bizarre blend of his father's pragmatism and his
mother's delusions, which draws him closer to the bathroom, space reserved for their
collective final pit stop, in the clutches of the rabid "rabbit".
3 comments:
conplecs !:)
I love love love love love love love looking at your work dude.
thanks dude, you've got some sick shit too
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