Otopeni customs yesterday. Took a bit over a month to finish, from concept to physical object.
Ended up doing it all in pencil since it enabled me to go through all the stages the images
required: from skeleton lines to deep shadows. The moodboard included influences from
Each character is an actor in the performance Tamara's choreographed . Iris is angular and
functional, afraid of growing old and never going anywhere. Sui's disintegrating since her
husband left her. Anastase's existence is a bizarre blend of his father's pragmatism and his
mother's delusions, which draws him closer to the bathroom, space reserved for their
collective final pit stop, in the clutches of the rabid "rabbit".
.don't know the quality of the air we take in, still we keep breathing.
heart keeps beating to the base of trucks and voitures passing by like waves.
point connected to the line, multiplied by space and time turns perspective into a raster point
rendition of x. a distilled finity.
watch the clock, take the pulse of the moment and wait for the sign to jump. it's in the air we share.